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Mashup (music) - Wikipedia, the free encyclopedia. A mashup (also mesh, mash up, mash- up, blend, bootleg. Burroughs to describe some of his literary experiments that involved literally . If one extends the definition beyond the realm of pop, precursors can be found in musique concr. In addition, many elements of mashup culture have antecedents in hip hop and the DIY ethic of punk as well as overlap with the free culture movement.
Precursors. The track, a reinterpretation of Orson Welles' celebrated War of the Worlds mock- emergency broadcast interspliced with musical snippets comically dramatizing the portentous patter of the announcer, spawned a raft of imitations. Goodman had several other similar hits in the 1. Novelty records. Other notable one- off bootlegs include DNA's dance remix of Suzanne Vega's . Vega received quite a few unsolicited mixes of her (a cappella) song, and eventually issued an entire CD of . In the late 1. 97. Dutch producer Jaap Eggermont produced the Stars on 4. These records attempted to cram as many hits as possible into the space of a three and a half- minute pop song, and are more accurately described as medleys.
A similar series by Mirage in the late 1. In 1. 98. 7, King accused the Pet Shop Boys of plagiarizing the melody of Cat Stevens' . To prove the point, King recorded a version of . King performed an analogous stunt with a version of . The song combines the lyrics to the theme song of the television show Gilligan's Island with the music of . Later in 1. 97. 8, Damaskas and Barnes & Barnes were inspired by Little Roger and the Goosebumps to record . His recording engineer referred to this as .
In his rock opera Joe's Garage (1. Zappa's xenochrony can be heard on every track apart from Packard Goose. Similarly, his 1.
Oswald coined the term . In 1. 99. 3, he released Plexure.
Arguably his most ambitious composition to date, it attempted to microsample the history of CD music up to that point (1. The ambition of this piece would later be recalled by the British bootlegger Osymyso, whose . Osymyso, who at the time was unaware of Oswald's work, used the same structure of an accelerando (arranging his source material in order from the slowest tempo to the fastest) to link a few bars each of 1. Technically more similar to a medley of cover versions (as it did not include any elements directly taken from the original records) than to a mashup, the record was nevertheless identified with the nascent genre by Italian radio DJs. Negativland. First released on home- made cassettes in the early 1. Hence, Pop Will Eat Itself.
Soulwax's Dewaele brothers, which combined 4. Christina Aguilera's . Moreover, new tools such as Ableton Live and Sonic Foundry's (now Sony's) ACID Pro were tweaked to accommodate the needs of this new . Most notably, such features as beat- mapping (a technique that simplifies the synchronization of samples of different tempos) and online previewing (allowing the composer to audition a sample, playing at the right pitch and tempo, alongside their existing composition) made it easy for many people with musical ability but little professional studio experience to knock together new combinations in a fraction of the time it would take with traditional tools, such as the magnetic tape John Oswald (and even Coldcut) slaved over in their early days. Mark Vidler, known as Go Home Productions, summarized it by saying the benefits of such technology of Acid.
Pro: . You don't need a record label, because it's your bedroom, and you don't need a recording studio, because that's your computer. You do it all yourself. It publicised various challenges which resulted in hundreds, if not thousands, of new bootlegs being uploaded to sites around the world. While the scene began as a primarily British phenomenon, the U. S., France and Germany are currently the hotbeds of the modern mashup movement.
However, there are notable bootleggers to be found in practically every corner of the globe .
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